THE MELANCHOLIC GAZES IN THE GRAPHIC NOVEL THE MAGIC FISH

OS OLHARES MELANCÓLICOS NA GRAPHIC NOVEL THE MAGIC FISH

Autores

  • Carlos Eduardo de Araujo Placido UFMS

DOI:

https://doi.org/10.5016/msc.v33i0.2567

Palavras-chave:

KEYWORDS: The Magic Fish (2020); The Sequential Narrative; The Melancholic Gaze.

Resumo

 Le Nguyen, received several nominations for important awards such as the GLAAD Awards and the Lambda Literary Awards. The author Le Nguyen used a plethora of artistic resources from the sequential narratives to tell different experiences of his protagonists as mother and son, Hiền and Tiến Phong, with the Fall of Saigon and the discovery of the son’s queerness as an immigrant in the United States of America. Many of these experiences were embodied through the various representations of the melancholic gaze. For these reasons, this article intended to discuss the characteristics of the melancholic gazes through The Magic Fish (2020)’s sequential narratives. As a result, various representations of gazing, looking, and wandering were identified about the protagonists’ painful reminiscences during the Fall of Saigon and their current challenges to live as queer immigrants.

ABSTRACT: The semi-autobiographical graphic novel The Magic Fish (2020), by the American-Vietnamese cartoonist Trung

 

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Publicado

2024-01-12

Como Citar

de Araujo Placido, C. E. (2024). THE MELANCHOLIC GAZES IN THE GRAPHIC NOVEL THE MAGIC FISH : OS OLHARES MELANCÓLICOS NA GRAPHIC NOVEL THE MAGIC FISH. Miscelânea: Revista De Literatura E Vida Social, 33, 363–379. https://doi.org/10.5016/msc.v33i0.2567

Edição

Seção

ARTIGOS ORIGINAIS/ORIGINAL ARTICLES